Daniel Mirosław, born in Warsaw, Poland, started singing at the age of 21.
He is a graduate of the Artist Diploma in Opera Studies program at the Juilliard School, where he studied with Edith Wiens. Prior to that, he has studied with Rudolf Piernay at The Guildhall School of Music and Drama in London, Leonard Andrzej Mróz and Urszula Kryger at the Grażyna and Kiejstut Bacewicz Academy of Music in Łódź, Poland.
April 2018 he made his debut in Teatro Municipal de Santiago, Chile singing the title role in Mozart’s Don Giovanni. He will return to Santiago for his role debuts as Mephistopheles (Faust) in 2019, Raimondo (Lucia di Lammermoor) in 2020 and Escamillo (Carmen) in 2021.
In the 2019/20 season as a member of Ensemble Staatstsoper Hannover he will sing Sarastro (Die Zauberflöte), Don Basilio (Il barbiere di Siviglia), Sparafucile (Rigoletto), Ramfis (Aida) and a bass solo in Beethoven’s 9th Symphony. He will make his debut in Centro Cultural de Belém in Lisbon, Portugal singing a bass solo in Handel’s Messiah.
In 2018/19 season he sang Melisso (Alcina) at the 42. Internationale Händel Festspiele in Karlsruhe, the title role in Don Giovanni at the Wrocław Opera House in Poland, Figaro (Le nozze di Figaro) at the Warsaw Chamber Opera in Poland, and at the New Generation Festival in Florence, Italy.
In seasons 2016/17 and 2017/18 he was a member of the ensamble in Frankfurt Opera. His roles there included Eustazio (Rinaldo), Gualtiero Raleigh (Roberto Devereux), Sparafucile (Rigoletto), Quinault (Adriana Lecouvreur), Panthée (Les Troyens), Colline (La Boheme) and Lothar (Der Sandmann).
He also appeared at the Alte Oper Frankfurt to sing the bass solo in Mozart’s Requiem. In the summer of 2017 he was performing at the Glyndebourne Opera Festival, where he sang the roles of Dr. Grenvil (La Traviata) and Truffaldino (Ariadne auf Naxos).
At Juilliard (2014/16), he has appeared as Don Geronio (Il turco in Italia), Collatinus (The Rape of Lucretia) and Der Tod (Der Kaiser von Atlantis). In 2015 he made his Carnegie Hall debut singing Don Fernando (Fidelio) and the bass solo in Beethoven’s Mass in C major. He sang Oroe (Semiramide) in Tchaikovsky Concert Hall in Moscow with Maestro Alberto Zedda and The National Russian Orchestra. He returned to Carnegie Hall to sing the bass solo in Handel’s Messiah. He is a semifinalist of the 2016 Metropolitan Opera National Council Auditions.